Peter Skrzynecki Poems Belonging Essay Checker

Peter Skrzynecki Poem Essay

In Peter Skrzynecki's poems from Immigrant Chronicle "Feliks Skrzynecki" and "Migrant hostel", he uses a variety of language techniques to demonstrate his views and experiences of migration. In each poem, Skrzynecki uses one particular language feature, among other, less prominent ones, to create meaning and show a change of perspective. In describing his father, Feliks, the poet embellishes many phrases and exaggerates the truth to the extent that the intended meaning is obvious to the responder. Skrzynecki creates two extended metaphors in "Migrant Hostel" to demonstrate his ideas, which we cannot completely comprehend, in a way that we can understand with recognisable ideas and objects.

"Feliks Skrzynecki" is a poem about Peter's father. The change of perspective described in it is the demonstration of the differences between the father's perspective of Australia, and his son's perspective. They each have totally different perceptions of their world because of their differing experiences in life. Feliks lived in Poland and through World War II, and four years after the end of the war, he and his family up-rooted and settled in a foreign land so different from their homeland that they had trouble adjusting. In Feliks' case, he avoided assimilating to the Australian culture, preferring to stick to his old ways including language, thus alienating himself from the society in which he now lived. In contrast, Peter was born in Europe at the end of the war, and at age four, moved to Australia with his parents. He probably would not remember his life in Europe, and spent only the very early years there. He mainly grew up in Australia so had much more exposure to the new culture and more opportunity to adapt and become a part of it.

"Feliks Skrzynecki" begins with showing the poet's admiration for his father, and describes his loving, caring nature with a simile, "Loved his garden like an only child,". Using words to express Feliks' love for his garden would have been insufficient in giving the audience an understanding. By relating his father's love to a situation and feelings, which can be understood universally, the poet creates meaning. The second stanza continues creating a description of his father, and uses repetition in the describing of actions to indicate the repetitiveness and mundaneness of them, in "From the soil he turned/ And tobacco he rolled". In the third stanza, a clear change of perspective is shown by indicating the author's thoughts. "I thought…...

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Our idea of belonging and affinity is a result of the choices that we make.   We feel a sense of acceptance wherever we choose to belong.   This is explored in Peter Skrzynecki’s poems Feliks Skrzynecki and 10 Mary St, through the poet’s depiction of the relationship between his father and himself.   SUPPLEMENTARY TEXTS…

It is only through our own personal choice that we choose to belong, or in some cases, not belong.

Skrzynecki’s poem Feliks Skrzynecki explores the concept of belonging, highlighting that man has the choice to include himself in a community, or to live in isolation.   Through the cultural independence of his father, the poet underlines man’s choice in whether he belongs or not.   The garden, “loved like an only child”, is a symbol for Poland, the homeland of the persona’s father.   His powerful, almost familial affinity with his homeland underlines his choice to not accept Australian culture, but instead to seek solace in his own world.   This attachment, as the audience is told that the poet’s father has “swept its [the garden’s] paths ten times around the world.”   Such hyperbole emphasizes Feliks’ strong connection with his garden: it is the only place in his world in which he truly belongs.   Feliks is juxtaposed with his son, who begins to lose touch with his father’s culture.   The persona, while “stumbling over tenses in Caesar’s Gallic War…forgot his first Polish word”.   The Polish language is a motif for his belonging in his father’s world: the persona has begun to lose touch with his culture, and has chosen to belong in Australian culture.   He is moving “further and further south of Hadrian’s Wall”, a historical allusion which is symbolic of the cultural barrier between the persona and his father.   The further the persona immerses himself in Australian culture, the more disasscosciated he is from his father, and his father’s Polish culture.   Feliks Skrzynekci portrays its two personas and their respective choices to belong in their respective worlds.

10 Mary Street provides its readers with insight into the concept of familial bonds, and our instinctive choice to belong in the home.   Through the simile “I’d ravage the backyard garden like a hungry bird…” Skrzynecki compares himself to a fledgling bird safe in the security of his nest. Another simile, “rows of sweet corn: tended roses and camellias, loved like adopted children.”  Hyperbolically emphasizes the strong connection felt by his parents; a sense of their strong belonging to their 10 Mary Street residence.   Their home is the site of numerous “heated discussions and embracing gestures”, a testament to the liveliness and friendliness present in the house. Furthermore the cumulative listing of ‘kielbasa’, ‘salt herrings…rye bread… raw vodka and cherry brandy’ conveys a sense of cultural heritage present within the house. The address becomes an extrapolation of the lives that his parents were displaced from in Poland. The home is a reflection of the choices made by his parents in leaving their Polish heritage. Here Skrzynecki ‘for nineteen years… lived…’ his Australian life style, while his parents ‘kept prewar Europe alive with photographs and letters.’ This juxtaposition portrays the ‘adopted’ nature of the home for his parents as a refuge, and for the persona as a ‘home’.

PCC

A particular image juxtaposes Woods with her full-blooded Chinese cousin. In the image, Vanessa is a brown haired and blue eye, while her cousin is the stereotypical image of a black haired Asian. The image emphasizes upon the sense of alienation and displacement felt by the author living with her mother’s hard-line Chinese family. The inability of the persona to belong is evident in her disgruntled, sarcastic tone throughout the article. Her use of hyperbolic metaphor “from a big house in Turramurra, we are living in a Troll cave in Kingford,” suggests the antipathy felt by the persona towards her mother’s divorce. This is further emphasized through the irony of her anecdote ‘I steal to combat our poverty.’  In which upon her arrest her mother is ‘ashamed, for failing to teach me… for failing to make me warm and safe.’ When her mother buys her the item she had stolen. The narrator feels a profound sense of regret and guilt, instead choosing not to accept the item. Despite her mother having as ‘all the sensitivity of a Japanese Scientist harpooning a whale.” The persona chooses to ‘no longer begrudge her friend’s mothers who overflow with constant affirmation.’ She uses an anecdote to convey the strong familial bonds that overshadow her inadequate childhood. Her mother can only afford five chicken wings. Yet “my sister has two… I have two… mother has one, and in this sacrifice I see love.”

Hence through dichotomy of both familial love and growing anxieties, we are able to appreciate the power of choice in forming our sense belonging.

 

 

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